GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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GRECO, El The Resurrection oil painting


The Resurrection
Oil on canvas, 275 x 127 cm
Painting ID::  43745
GRECO, El
The Resurrection
Oil on canvas, 275 x 127 cm
   
   
     

GRECO, El The Pentecost oil painting


The Pentecost
Oil on canvas, 275 x 127 cm
Painting ID::  43746
GRECO, El
The Pentecost
Oil on canvas, 275 x 127 cm
   
   
     

GRECO, El St Joseph and the Christ Child oil painting


St Joseph and the Christ Child
Oil on canvas, 289 x 147 cm
Painting ID::  43747
GRECO, El
St Joseph and the Christ Child
Oil on canvas, 289 x 147 cm
   
   
     

GRECO, El St Martin and the Beggar oil painting


St Martin and the Beggar
1597-99 Oil on canvas, 193 x 103 cm
Painting ID::  43748
GRECO, El
St Martin and the Beggar
1597-99 Oil on canvas, 193 x 103 cm
   
   
     

GRECO, El St. Martin and the Beggar oil painting


St. Martin and the Beggar
c. 1604 Oil on canvas, 104 x 60 cm
Painting ID::  43749
GRECO, El
St. Martin and the Beggar
c. 1604 Oil on canvas, 104 x 60 cm
   
   
     

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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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